I've been using a large amount of Cerulean Blue with a tad bit of Ultra Marine Blue. I've discovered that the Cerulean Blue doesn't go a long way and seems less concentrated then the Ultra Marine Blue. Also, I decided to use a larger expanse of space and color on the big canvases. I didn't like the complexity of lines on such a large area, it didn't seem appropriate for this scale. Therefore, I'm returning to the color field approach until I am absolutely drained, then I will return to the small intricate pieces.
Transition No.18, oil on canvas, 24"x24"
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